Triple H on Scouting Talent: ‘I Need to See For Myself That They’re Good Enough for WWE’

WWE CCO Paul ‘Triple H’ Levesque insists on seeing a prospective Superstar for himself to see if they’re the right fit for the promotion. 

As part of his many roles as Chief Content Officer, Levesque oversees talent relations and ultimately has the final say over who is hired to a contract. On the Pat McAfee Show, the Game shared why he thinks it’s vital he personally sees a talent’s work for himself. 

“I see what’s out there. I don’t subscribe to, ‘this guy says they are good, that guy says they are good.’ I have to see it… Because they succeed someplace else doesn’t mean they’ll succeed at the big time.”

Levesque compared the situation to football, stating that players who performed at a high level in college often fail to make waves in the NFL. 

Triple H on ‘The Grind’

Being a WWE Superstar is far from an easy job as talent are expected to compete almost every night across the globe. WWE is also not the only option for a young wrestler as various promotions exist in the U.S. and abroad. On the show, Levesque shared his skepticism for any wrestler who’d choose a promotion because it may be easier than WWE. 

“When I see people coming out of trying to make it, and then they pick a job where, well, they work less, the schedule is lighter, then I’m like, ‘I’m glad I didn’t pick you.’ If you’re not in it for the grind, at that point early in your career, you have no business being here.”

Triple H as Head of Talent

In 2011, Levesque was officially made Executive Vice-President of Talent and Live Events, a role that expanded to include live events and creative two years later. In July 2022, following the resignation of Vince McMahon, Levesque was promoted to Executive Vice-President of Talent Relations and was named Chief Content Officer in September. In October 2023, Ari Emanuel ensured that Vince McMahon (who was back with WWE at the time) would not interfere with Levesque’s work and it was said the Game controlled “99.9% of the creative” at the time. 

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